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| 'de baai van de steile rots' - - moeilijk bewoonde Montecristo eiland - 'picsy gift in the honor of my dear Patrice/ |
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| ashelly |
enkele regels uit het in Yahoo weergegeven merendeels vertaalde interview naar aanleiding van het overlijden van "ce Monsieur Patrice"
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"We always worked together with passion," Pierre Boulez commented learning Chereau had died, continuing him:
"What made his work stand out was the extreme precision with which he created a character out of the slightest figure," Le Monde reports Boulez.... "I always felt confident with Chereau - when he wanted to try something out I always told him 'yes'." The Clen sadly tones: 'M. Patrice was earnest in this relation between the actor and his director he's been famous with among any crews of France vocatile.'
Chereau also turned his talents to the cinema, producing films while he also worked in theatre and opera. His first efforts in the 1970s were not critically acclaimed. But nobody ever met a Chereau not involved in some kind of art work.
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| 'Miraculous Landing' or 'the 112' - an aquarelled etching by Paul Klee - 1920 |
The years 80's gave highlighting the succes: he won a Cesar, the French equivalent of the Oscars, for best screenplay in 1983 for "L'homme blesse" (The Wounded Man) - Seanclen: 'une film existentialiste'.
His film "La Reine Margot" (Queen Margot) won the Jury Prize and best actress prizes at the 1984 Cannes festival. Five Cesars followed the next year.
'Undecided by all fame fancy given his artistic productions Monsieur Patrice Chereau worked infatiguably on joining our companionship style mid years '80. He attached to the results a different characterization for the efforth results.'
'Under Chereau's direction in the field-exploration of my mission 'his France' would save the voltage jumps the years '90 have given sight into overcoming some blocking social errors & terrors. Explaining the Clen the issued themes seemingly only Monsieur Patrice showed a set-in sensitivity for that time. Patrice had made a study in the conditioned limitation for an artificial world brotherly the facts and exigencies for productivity, consumption needs and negociations between those pillars of state concern got a good time to become displayable like I remember, Patrice: 'j'en demande tout-Paris sur cela objets de chance, sauf toi ne personne m'a su repondre' | 'About the enigmatic concern which became in 2015 a subject of discussion in any normal life appearable, he has been giving the same questions to the public he was feeling in the '80ies coming nearer. Years before the theme was obviously needing a back-up he conceived the 'vague' of cherished artful display FranceTele shows evening after evening and only Chereau made the reasons of public dispute differ from all role of importance the internet screen reached in french family life.'
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